Artem Mozgovoy
Italian Neorealism is a fascinating genre in its own right. In general, European post-war cinema represents a highly diverse and original palette of stories, each of which can become a unique gem, revealing the many facets of the tragic life of the late 1940s.
In Italy poverty was widespread, and the film focuses on the story of Ricci, a middle-aged Italian man who is offered a job that requires a bicycle.
He has the job but no bicycle, so his wife helps him obtain one, after which the joyful Ricci sets off for his first day of work.
Many know that the turning point of the film is that Antonio Ricci’s bicycle is stolen, leaving the audience with a fundamental question: “Can this man’s entire life truly depend on an unlucky bicycle, and is there any way out of such a crisis?”
The main character also has a son, Bruno — an incredibly lively and unforgettable boy who became another star of the film by Vittorio De Sica.
Even after more than 75 years, the film is still captivating to watch in one breath, showing how beautiful each frame can be and how tragic every second of this story may feel.
Enjoy the film!
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